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Cognition
Cooperative
Elia Nurvista Castle of
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Simina Neagu Simona Dumitriu
& Ramona Dima
Castle of Crossed Destinies
»Solidarity« Residency

Call for Web Residencies No 16

»Solidarity is a verb«

by Akademie Schloss Solitude and ARC Bucharest & curated by Anca Rujoiu — May 15, 2021

With this call, curated by Anca Rujoiu, Akademie Schloss Solitude together with ARC Bucharest invites artists and collectives to foreground the relational quality of solidarity. With »Solidarity is a verb,« we strongly encourage practitioners to shape a continuous production of relation grounded on common differences. While projects can inhabit the web as a space to practice solidarity, this open call encourages in equal manner initiatives that unfold on a local or translocal dimension beyond the screen, whereby the interconnection between off- and online should be taken into account.

In multifarious ways and different economic and political circumstances, artists and cultural practitioners have imagined and shaped modes of connectivity and togetherness. Our present and future hinge on collective action and assumed interdependence between and beyond places, between and beyond humans. The restrained mobility and the prolonged state of stillness we are experiencing on a planetary scale provide the impetus to reconfigure and construct new alliances from below, thus moving away from financially viable networks shaped by the market. This open call foregrounds the relational quality of solidarity, its ability to articulate politics and construct collective agency as a necessity of now. New and existing artist collectives, practitioners across the fields of art, design, writing, and performing arts invested in collaborations and collective approaches are invited to submit proposals.

»Solidarity as a verb« is situated in the realm of doing and imagining. First, this understanding acknowledges that one cannot take for granted forms of relationality and pre-existing communities; we need to continously construct and sustain them. Solidarity as such is always intentional and process-oriented. Historically, solidarity embodied colonial attitudes, it has been idealized and limited to prerequisites of sameness and identification. Shifting from a shallow understanding of »global sisterhood,« feminist thinkers reclaimed solidarity as a continuous production of relation grounded on common differences and politics of location. »The most principled way to cross borders« (Chandra Mohanty), solidarity can account for significant similarities while intensifying encounters with contextual differences , have a political basis rather than strictly biological or national, remain attuned to one’s immediate locale while reaching outside. Lastly, solidarity as a verb entails a definition of solidarity as an inventive practice (David Featherstone) that can shape unexplored ways of relating and expand the boundaries of a community with whom we stand in solidarity. In times of severe state and military control, artists have circumvented limitations of resources and mobility and stretched their locality through heterogenous initiatives from residencies, festivals, and mail-art communication to publishing and editorial endeavors. In the spirit of such past initiatives, this open call encourages practitioners to imagine new ways of negotiating distance and proximity. While projects can inhabit the web as a space to practice solidarity, this open call encourages in equal manner initiatives that unfold beyond the screen, whereby the interconnection between off- and online should be taken into account.


Open the Artworks

Juror's Statement by Anca Rujoiu — Sep 3, 2021

Selecting proposals out of 150 submissions for a call on »Solidarity as a verb« summoned us to align the criteria guidelines with the concept. It was expected that projects be relevant to the call, as well as embody concerns and urgencies of our time, and stem from different localities. While the concept of solidarity tends to be fixed to a limited number of interpretations and uses, in our selection we aimed to foreground a diversity of artistic approaches and methodologies. Some projects take solidarity as a governing principle for setting up new digital infrastructure and support structures, or as a form of artistic engagement with a community. Other projects prompt discussions, encounters, and historical research that form the basis of critical and imaginary accounts of solidarity. We have looked for proposals that could take a palpable form or direction within the limited amount of six- to eight-week web residencies and the available financial and curatorial resources. We privileged continuity as an institutional and curatorial value to extend collaborations as well as to support projects that started or might outlive the Web Residencies. And lastly, we committed as a jury to work closely with all the residents in developing their proposals and fostering moments of communal encounter. While each project is very distinct, there are overlaps in approaches and interests, and we are hopeful at the outset of this series of residencies that these commonalities and differences will infuse the call with collective energy and imagination of what solidarity can mean and do in these times of change.

The jury was made up of Anca Rujoiu (curator of the 16th call for Web Residencies), Radu Lesevschi (Arc Bucharest), and Thomas Dumke & Denise Helene Sumi (Digital Solitude program).

Web Residents

Digital Solidarity Platform for the Global South
More of Us | Syafiatudina / Yogyakarta, Indonesia | Carolina Campuzano / Medellín, Colombia | Lauren von Gogh / Johannesburg, South Africa | Erik Tlaseca / Mexico City, Mexico | Veronique Poverello / Lumbumbashi, Democratic Republic of Congo | Rogelio Vazquez, Mexico City, Mexico | Teesa Bahana / Kampala, Uganda

Carolina Campuzano from Medellín, Lauren von Gogh from Johannesburg, Syafiatudina from Yogyakarta, Erik Tlaseca and Rogelio Vazquez from Mexico City, Veronique Poverello from Lumbumbashi, and Teesa Bahana from Kampala are More of Us. As a translocal ecosystem, More of Us currently works on developing an online platform to further engage with art practices and processes of social change, as well as work with a variety of communities to share the spirit of collective action.

Swarm
Distributed Cognition Cooperative | Sasha Shestakova / Moscow, Russia, and Anna Engelhardt / London, UK

Concerned with algorithmic and political infrastructure as a form of politics, DCC grounds its practice in writing, manufacturing, and maintaining digital architectures from a decolonial perspective. With developing the platform Swarm, a supportive peer-review environment to help marginalized artists, researchers, and other practitioners develop their portfolio or raise funds, DCC creates infrastructural conditions to break the vicious circle maintained by institutional politics.

Hunger, Inc.: Solidarity Through Meals
Elia Nurvista / Yogyakarta, Indonesia

Together with local communities and collectives, Indonesian artist and activist Elia Nurvista will create a »Solidarity kit,« a lexicon that consists of stories about and local recipes that can be made from ingredients that can be collected in the region around Yogyakarta or are affordable to obtain. By sharing this local knowledge, Nurvista relates to significant strategies for living in limited conditions, and methods to learn from each other.

Castle of Crossed Destinies: When the Sonic Becomes Physical
Aouefa Amoussuvi / Berlin, Germany | Sasha Engelman / London, UK | Olivia Berkowicz / Göteborg, Sweden

In a series of conversations on the practices and histories of tarot reading, amateur radio, and raw cacao, these modest devices and rituals became vehicles for untangling colonial processes, gendered notions of technology, and transgenerational memory. Through the Web Residency, Castle of Crossed Destinies will test new formats and aim to reach diverse audiences while building solidarity through analogue, digital, and political methodologies.

23 August – A Hyper/Text and Archival Work on Transnational Solidarity
Simina Neagu / London, UK

A forgotten episode of transnational solidarity recounted through archival materials and words of fiction. Taking a cue from the 23 August Stadium built for this event, Simina Neagu attempts to trace back a partly forgotten history and start a conversation on transnational solidarity between the Global South and the »Global East.« The festival, dedicated to anticolonial struggles, was attended by Caribbean political and cultural activists John la Rose and Irma la Rose (née Hilaire).

A Zero Hours Worker’s Fate
Simona Dumitriu and Ramona Dima / Malmö, Sweden

»Is there free will and can solidarity exist in precarious work conditions?« Sweden-based artist duo Simona Dumitru and Ramona Dima (a.k.a. Claude & Dersch) will tackle questions around precarious work conditions and fatal dependencies as a result of zero-hours contracts. During the residency, they aim to produce the written and filmed Document of Fates, followed by in situ meetings with the local union and migrant communities to further engage with and contribute to improved and solidarity-based working conditions for everyone.

Call Page @ Akademie Schloss Solitude

www.akademie-solitude.de Webresidencies

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Key visualisation by Stephan Thiel und Anne Lippert. Website by parmon.

The project is co-financed by The Administration of the National Cultural Fund of Romania (AFCN)

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»Digital Solidarity Platform for the Global South«

by More of Us

Syafiatudina / Yogyakarta, Indonesia | Carolina Campuzano / Medellín, Colombia | Lauren von Gogh / Johannesburg, South Africa | Erik Tlaseca / Mexico City, Mexico | Veronique Poverello / Lumbumbashi, Democratic Republic of Congo | Rogelio Vazquez, Mexico City, Mexico | Teesa Bahana / Kampala, Uganda — Aug 30, 2021

a project realized in the context of the 16th Web Residency by Solitude »Solidarity is a verb«, curated by Anca Rujoiu.

More of Us is a team located across the globe, each of them juggling a myriad of responsibilities while trying to birth a new platform. The collective of artists, curators, and editors with members from Yogyakarta, Medellín, Johannesburg, Mexico City, Lumbumbashi, and Kampala currently works on creating a Digital Solidarity Platform for the Global South, a platform that hosts articles and great writings from their communities. For the Web Residency »Solidarity is a verb« More of Us shares an initiating issue entitled »Solidarity.«

Open the Project Page Interview with the Artists

The members of More of Us are all part of Arts Collaboratory and also work in arts organizations or collectives within their own contexts. When not working on More of Us, they work at VANSA (Visual Arts Network South Africa), 32° East Ugandan Arts Trust, WAZA, Casa Tres Patios, and KUNCI Study Forum and Collective doing research, communications, programming, advocacy, and community building. And art making, too! More of Us is Syafiatudina from Yogyakarta/Indonesia, Carolina Campuzano from Medellín/Colombia, Lauren von Gogh from Johannesburg/South Africa, Erik Tlaseca from Mexico City/Mexico, Veronique Poverello from Lumbumbashi/Democratic Republic of the Congo, Rogelio Vazquez from Mexico City/Mexico, and Teesa Bahana from Kampala/Uganda.

https://moreofus.art

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»Swarm«

by Distributed cognition cooperative

a project realized in the context of the 16th Web Residency by Solitude »Solidarity is a verb«, curated by Anca Rujoiu.

Swarm is a (plat)form of care built to help marginalized artists, researchers, and other practitioners develop their CV, portfolio, or write a funding application. It works as a peer-review repository organized by principles of mutual aid.

Open the Plaform Interview with the Artists

We introduce the platform in video-essay, envisioning it as a termite mound, infrastructure that will create conditions for a swarm cognition to emerge. Neither humans nor fish, termites, bees, ants, and other animals possess swarm cognition as given. For animals, swarm cognition emerges from the connections between their bodies, and these connections are facilitated and enabled by infrastructures - mounds, hills, hives. Similarly, for humans, it is conditioned by the infrastructures of mutual care and support.

To think about how to create and maintain such infrastructures, we take our lead from Russian zoologist and geographer Peter Kropotkin. In the 19th century, he contested the prevailing understanding of competition as a vehicle of evolution. He drew attention to the animal, insect, and fish practices of mutual aid and support as the core principles of evolution and survival. Following his writings, we hope to naturalize mutual aid and support as a form of collective endurance.

Distributed Cognition Cooperative is a practice-based research unit consisting of Sasha Shestakova and Anna Engelhardt. Concerned with infrastructure as a form of politics, DCC grounds its practice in writing, manufacturing, and maintaining digital architectures in post-Soviet space, which they presented at, among others, Biennale Architettura and Moscow International Biennale.

https://dccoop.info/

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»Commons Kitchen«

by Elia Nurvista / Yogyakarta, Indonesia

a project realized in the context of the 16th Web Residency by Solitude »Solidarity is a verb«, curated by Anca Rujoiu.

Yogyakarta-based artist Elia Nurvista is interested in examining the social implications of food production – how food is produced, distributed, and consumed. The Web Residency project Commons Kitchen: Solidarity Through Meals documents her latest collaboration: During the Jogja Biennale Equator #6 2021, Nurvista, her Bakudapan study group Dapur Umum 56 (Public Kitchen), and many other local initiatives talked about food scarcity, food security, solidarity among precarious people, redistribution, crisis, and so on. For the Web Residency, Nurvista and Dapur Umum 56 share local knowledge on the strategies of living in solidarity under limited conditions, in an online format. The project Commons Kitchen focuses on reflection, discussion, building discursive strategy, and strengthening the solidarity among people who live in precarious conditions.



Interview with the Artist

Elia Nurvista is working both individually and collectively, with her focus being food. She is interested in examining the social implications of food production and to critically address wider socio-political issues. Within the Web Residency »Solidarity is a verb,« and also in the midst of a pandemic that hits the most vulnerable and precarious group in society, Elia wants to work about the strategy of food and solidarity which she built before with the underprivileged community and circulate it through a website.

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»Castle of Crossed Destinies: When the Sonic Becomes Physical« by Castle of Crossed Destinies

Aouefa Amoussuvi / Berlin, Germany | Sasha Engelman / London, UK | Olivia Berkowicz / Göteborg, Sweden

a project realized in the context of the 16th Web Residency by Solitude »Solidarity is a verb«, curated by Anca Rujoiu.

Castle of Crossed Destinies is a transnational experiment in intersectional feminist solidarity using divinatory tools and creative techniques for collective knowledge production. Initiated as a three-part sonic project by geographer Sasha Engelmann, curator Olivia Berkowicz, and curator and biophysicist Aouefa Amoussouvi, for the sixteenth Web Residency »Solidarity is a verb,« the collective started developing a card game. The game introduces the three technologies of tarot reading, DIY pirate radio, and raw cacao, and applies guiding principles and key textures for practicing techno-feminist visions.

Open the Project Page Interview with the Artists

The collective is named after writer Italo Calvino’s book The Castle of Crossed Destinies and was initiated as a 3-part sonic project by geographer Sasha Engelmann, curator Olivia Berkowicz and curator and biophysicist Aouefa Amoussouvi whilst being fellows at Akademie Schloss Solitude in 2020-2021. The Castle of Crossed Destinies encounters merge rituals, technologies, feminist narratives in science and art, as well as personal experiences and reflections on transgenerational memories and migrations.

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»23 August«

by Simina Neagu / London, UK / Bucharest, Romania

a project realized in the context of the 16th Web Residency by Solitude »Solidarity is a verb«, curated by Anca Rujoiu.

Responding to the sixteenth call for Web Residencies »Solidarity is a verb,« Simina Neagu revisits the 4th World Festival of Youth and Students – a festival dedicated to anticolonial struggles that took place in Bucharest in 1953. It was attended by more than 30,000 people, among them Caribbean political and cultural activist John la Rose and South African political activist Paul Joseph. Neagu’s project 23 August – A Hyper/Text and Archival Work on Transnational Solidarity is a hypertext work on transnational solidarity, in which digital artifacts – archival and newly gathered research material – stand in for a memorial, and likewise the reverberation and activation of thoughts.

Open the Project Page Interview with the Artist

Simina Neagu is a cultural worker, curator and writer based in London/UK, currently working as Program and Operations Coordinator at iniva (Institute of International Visual Arts). Through public programming and text-based work, her practice facilitates critical reflection and collective learning. Previous projects have explored diasporic histories, networks of international solidarity, translation, labor and access in the arts, and the construction of public space.

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»A Zero Hours Worker’s Fate«

by Simona Dumitriu & Ramona Dima

a project realized in the context of the 16th Web Residency by Solitude »Solidarity is a verb«, curated by Anca Rujoiu.

Starting from Sarah Ahmed’s Willful Subjects, and from some key points of their recent personal experiences, and from tarot, the latest project by artist duo Simona Dumitriu & Ramona Dima (aka Claude&Dersch) explores the multiple meanings of free will in precarious life and work situations. In their project A Zero Hours Worker’s Fate they speak about precarious work conditions like temporary jobs, or zero hours contracts in Sweden and beyond. The online project thus unfolds between a distinct political agenda and the act of sharing and making personal stories and experiences tangible.

Open the Project Page Interview with the Artists

Simona&Ramona (a.k.a. Claude&Dersch) are the artistic alter egos of life and work duo Simona Dumitriu and Ramona Dima. We share a common interest in poetry and autoethnographical writing as political tool. Simona is a teacher, organizer, and curator, and a founding member of the mythical Platforma Space in Bucharest. Ramona is a postdoctoral researcher writing about lost Romanian queer herstories. Our joint artistic practice is a quintessential part of our activism.

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